f4f3: (Avon)
[personal profile] f4f3
I bought a new pair of sunglasses on Friday. 
Not just any sunglasses though, these were mirrorshades. 
Sunglasses with mirrored lenses were one of the fetishes of the Cyberpunk movement when I discovered it back in the late 1980's, to such an extent that the seminal short-story collection was entitled "Mirrorshades", and featured a story called "Mozart in..." well, you get the picture. 

"What was cyberpunk?" I hear you ask. Well pull up a chair, youngster, and I'll tell you. Mostly, it was a reaction. A reaction to the type of Science Fiction that, if it were a Rock Star, would have flown around in a personal 747 and written 30 minute drum solos. A reaction to Space Operas set in Chris Foss landscapes, with starships that were sexier and more believable than any of the protagonists. A reaction to books that were heavy enough to give you a hernia picking them up, and could kill at 50 paces when you eventually threw them away. The fact that we all secretly read and loved Space Opera, that we had been weaned on Asimov, Heinlein and Clarke, and that many of us returned to writing them when the fuss died down, means nothing at all. 

Cyberpunk was brash and noisy. It was noire and it was smashed out of its head, and it was fun. As a genre it set aside SF's burden of prediction in favour of sleazy crime stories with addicts for heroes and guns for love interest.

It was set in a garish world, where wars were fought by private mercenary firms, where corporations were more powerful than nation states, where drugs were designer highs, invented, distributed and retired too quickly for the law to track and, most importantly, were everyone would be plugged in to some degree to a globe-spanning network of computers where they would work, buy, sell and fuck. 

Looks like you can take the SF out of prediction, but you can't take prediction out of SF. 

For me, coming out of my mid-20s as the 80's wound up, I found my first tribe in Cyberpunk. It was a very limited identity, within what was already an out-group. In the days before the Geek inherited the Earth, SF fans were pretty much the lowest beast in anyone's pecking order. And they looked down on the Cyberpunks. Do you know what it feels like to be condescended to by a man in an Entfest t-shirt?

That didn't stop me and the pride of the Glasgow Science Fiction Writers Circle from wearing dark clothes, drinking heavily, and writing distopian tales with extremely high production values. I think I survived a dozen SF conventions without sleeping, jacked up from chewing coffee beans and downing Jack and Cokes, talking for hours in smokey rooms, until my contact lenses lit up in fluorescent light, shining as if my pupils had been buffed. 

Striding through Edinburgh tonight, mirrorshades in place and cyberpunk attitude creeping back, I wondered what my 1988 self would have made of the place. He'd have been a little sad (but approving) that Princes Street was being disrupted as they tore up the tram tracks to make way for a more modern transport system (a mono-rail? a mag-lev? a mag-lev mono-rail?), he would have wondered how a Battle Star Galactica character came to have a horde of coffee-shops named after him, and, most of all, he'd have been surprised how many people seemed to be obsessed with their pocket calculators, keeping them in fancy covers, tapping at them relentlessly, and even seeming to talk to them from time to time. And then he'd have noticed the Apple logo on most of them, and not been surprised at all.

Date: 2012-07-31 09:43 pm (UTC)
andrewducker: (Default)
From: [personal profile] andrewducker
I loved the Sprawl novels when I read them. Full of energy and poetry and a mass of emotion.

And I played a _lot_ of Shadowrun :->

I'm still looking forward to being able to jack in.

Date: 2012-07-31 10:22 pm (UTC)
From: [identity profile] f4f3.livejournal.com
I'd almost forgotten "Shadowrun" :)

Date: 2012-07-31 09:59 pm (UTC)
andrewducker: (Default)
From: [personal profile] andrewducker
And, less than 10 minutes later, I bump into this:
http://blastr.com/2012/07/has-that-long-awaited-neu.php

Date: 2012-07-31 10:21 pm (UTC)
From: [identity profile] f4f3.livejournal.com
"Coincidence is the secret thread that binds together the universe, Boston Brand."

Date: 2012-08-01 06:44 am (UTC)
andrewducker: (Default)
From: [personal profile] andrewducker
I can't have thought of Boston Brand in 15 years! (Since I last re-read Moore's run on Swamp Thing)

Date: 2012-07-31 10:11 pm (UTC)
From: [identity profile] zenicurean.livejournal.com
I was a Johnny-come-lately to cyberpunk; I came into it as a child in the early nineties, trying to learn rudimentary English off this blue little dog-eared dictionary my parents owned. I couldn't process the full magnificence of the genre then, but I sensed it, such as these things are sensed.

It was through Gibson, of course, because that's how you got into cyberpunk where I lived. But to me, and I'm speaking unabashedly subjectively here, one of the most powerful things anyone has said about cyberpunk is this bit from Sterling (italics mine):

"... imagine a cyberpunk version of Frankenstein. In this imaginary work, the Monster would likely be the well-funded R&D team-project of some global corporation. The Monster might well wreak bloody havoc, most likely on random passers-by. But having done so, he would never have been allowed to wander to the North Pole, uttering Byronic profundities. The Monsters of cyberpunk never vanish so conveniently. They are already loose on the streets. They are next to us. Quite likely WE are them. The Monster would have been copyrighted through the new genetics laws, and manufactured worldwide in many thousands. Soon the Monsters would all have lousy night jobs mopping up at fast-food restaurants.

In the moral universe of cyberpunk, we already know Things We Were Not Meant To Know. Our grandparents knew these things; Robert Oppenheimer at Los Alamos became the Destroyer of Worlds long before we arrived on the scene. In cyberpunk, the idea that there are sacred limits to human action is simply a delusion. There are no sacred boundaries to protect us from ourselves.

You know, I should get some shades too.
Edited Date: 2012-07-31 10:15 pm (UTC)

Date: 2012-07-31 10:19 pm (UTC)
From: [identity profile] f4f3.livejournal.com
I might have a spare pair, somewhere. I came mostly through Gibson, but also Sterling, and Rudy Rucker (I still think "Give me the money, and colour me gone." is the best pay off line of any story in Mirrorshades). And I can't believe I forgot to use the best line about cyberpunk (although it was spoken about Maas Bio-Labs): "They were all edge."

Date: 2012-07-31 10:24 pm (UTC)
From: [identity profile] f4f3.livejournal.com
...and the last paragraph reminds me so much of Ellis' "Planetary" that I'm kicking myself for not having a copy here.

Date: 2012-07-31 11:48 pm (UTC)
From: [identity profile] morgaine-x.livejournal.com
*applause*
And the soundtrack?

Date: 2012-08-02 06:12 am (UTC)
From: [identity profile] f4f3.livejournal.com
Good question - I never really got into electronica, so probably Patti Smith, Iggy, and the Trainspotting sound-track!

Date: 2012-08-01 04:41 pm (UTC)
From: [identity profile] made-of-paradox.livejournal.com
I started with Neuromancer, in 1988, proceeded from there to read as much Gibson, Rucker and Sterling as I could get my hands on.

In 1989, I took a college course that included Neuromancer in the required reading.

In 1998 or 1999 I attended a party at Sterling's house.

Cyberpunk was what the cool (to me, anyway) geeks were reading. My cultural experience differed from yours in a number of ways.

Date: 2012-08-02 06:11 am (UTC)
From: [identity profile] f4f3.livejournal.com
Maybe we were just too cool, too soon :)

Date: 2012-08-01 07:48 pm (UTC)
From: [identity profile] amelia-eve.livejournal.com
I'm such a bad geek. Cyberpunk is really the only SF I can stick with. One of the fun things about it is that it was also the source of the first steam punk I ever encountered.

Maybe I should get my husband some mirrorshades, since I don't think I could wear them with my prescription.

Date: 2012-08-02 06:14 am (UTC)
From: [identity profile] f4f3.livejournal.com
That's one of the joys of contact lenses :)
I'm trying to remember when Charles Stross lurched down Gibson Street after a Con, slurring "Steampunk boys, that's the future..." 91? 90?

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